He designs a hyperrealistic 16K image set on a barren, muddy alien planet

He designs a hyperrealistic 16K image set on a barren, muddy alien planet. The environment is laden with moisture and swirling dust particles, creating an atmosphere of intense cinematic drama. From a very low-angle perspective, at the foot of pale gray, deeply cracked cliffs, a futuristic spacecraft emerges. The geology is intricate, with natural ledges and horizontal projections carved into the rock faces, which the gigantic spacecraft navigates, and which are circumvented with ultra-technological navigation instruments. They have reinforced glass hatches, satellite dishes, and transmission antennas seamlessly integrated into the fuselage. Fine vines and cascades of crystal-clear water descend from fissures in the rock, merging with the dense, vibrant vegetation in the background. Above, monumental skeletons of crashed spacecraft are embedded in the terrain, partially absorbed by nature. In the sky, enormous alien ships hover silently, seen from below, through the silhouette of the towering cylinders of a launch pad. The atmosphere is rich, humid, and vibrant. Giant clouds float in a clear night sky, reflecting subtle alien lights. Use a Sony 16–35mm f/4G PZ lens to achieve a wide, natural, yet striking composition, with perfect focus and a controlled depth of field that emphasizes the immense scale of the structures. Lighting must be studio-quality: metallic surfaces must shimmer with reflections, active lights shine brightly, and shadows fall with precise cinematic balance. Every detail must be captured with hyper-realistic clarity (metallic textures, moisture from vegetation, structural design), creating a masterpiece of futuristic luxury and visual storytelling. NO PEOPLE. Just architecture, landscape, and light. A science fiction vision of supreme sophistication, opulence, and alien ruin, rendered with the highest level of photorealism and resolution.